2010

Thursday, November 25, 2010

Friday, November 5, 2010

Saturday, September 4, 2010

Spazi pubblici contemporanei_[Architettura a volume zero]
In Architecture and Disjunction, Bernard Tschumi propone, in sostituzione di quella vitruviana,una nuova triade. Spazio, Evento e Movimento, secondo l’architetto franco-svizzero, costituirebbero oggi chiavi di interpretazione molto più adatte di una Firmitas ormai superata sia nel suo significato di solidità che in quello di aspirazione all’eternità, di una Utilitas difficilmente discernibile nel continuo cambiamento di usi e obiettivi, di una Venustas inafferrabile e ampiamente emarginata dallo stesso campo di riflessione artistica (vedi l’idea di bello).
La nozione di evento , con il suo carattere mutevole e aleatorio, mette in crisi ogni idea di forma espressa attraverso assetti definitivi spostando l’attenzione su quello che accade e, soprattutto, su quello che può accadere in qualsiasi spazio, anche al di là delle previsioni. E’ evidente, in questo sforzo di trasformazione della disciplina, non solo il tentativo di mantenersi in contatto con una realtà in costante e accelerata mutazione evolutiva, ma anche di ampliare la capacità dell’architetto di rispondere a situazioni che sfuggono alle sue capacità di comprensione e intervento.
All’interno di questo lungo e processuale dibattito sull’architettura contemporanea la nostra ricerca e sperimentazione si sofferma sul concetto di spazio pubblico affrontandola con un tema totalmente in sintonia con le esigenze attuali:l’ azc, ovvero l’architettura a volume zero.
Lo spazio pubblico ha modificato il suo statuto estetico, geografico e semantico. Il binomio interno/spazio privato esterno/spazio pubblico pare non funzionare più nel contemporaneo: ai grandi contenitori polifunzionali si contrappongono degli abitacoli per solitudini all’aperto. Agli spazi pubblici tradizionali,che sempre più spesso appaiono come elementi labili della forma urbana, attraversati ed ingombri di necessità, servitù e interessi altri che li rendono sempre più privi di rilievo e di interesse collettivo, si stanno sostituendo i luoghi delle infrastrutture, delle reti, dei bordi capaci to give new focus and new sense of values.
Given the inflexibility of public spaces in the operational response to the increasing urgency of providing different spaces for a changing society, then the objective is not only to build a significant urban form, but to investigate the relationships between mobility, community and private spaces. This represents a shift from space to the collective public open space. So these buildings are no longer divided family type / style, but use the urban / territorial or social arrangements, that is, as their premises are used.
to this freedom in classification is the belief that architecture volume to zero is in fact an issue in which diverse disciplines and meet several conditions and intermediate steps between the conceptual architectural plan and purpose. What could be the site of the reuse of the debris of contemporary society, the reappropriation of the (re) composition, in order to find a new combination of the elements in play. Not having to be subjected to dimensional requirements, regulatory or functional in the strict sense, but almost exclusively to budget problems, they are arriving at a degree of experimentation and stylistic freedom difficult to get otherwise. May be, in this sense, a liberating act.
goals and commonalties of these projects are the first to describe the spaces (or functions) where they are located, whether located in urban or territorial, investigating the real possibility of interference and cohesion among disciplines related but separate today (technology, urban design, restoration, environment, landscape etc). The second is the attitude to around: different from the context, but never indifferent. The third project concerns the attitude toward their potential uses.
conclusion, the tilting dell'azc, which in its hybrid configurations (removable, semi-closed, semi-open, mobile, repeatable, self built, short-lived) can be a project seemingly instantaneous and ready for use back architecture towards what is the nature of deep ethics: providing a social service. Thanks

Black Bean Stain Removal

INTIMACY 'AND SOCIETY': the relationship between men and 1:1 in landscape design landscape workshop
Cilento
August 2010

The landscape design comes from the comparison that, at its deepest root is in the bond between human beings and the natural or urban space [artificial] around it. Bond depends on the subject within the space:
intimate relationship as an absolute balance of staff;
collectively, as the relationship between individuals belonging to a social system.

The art will be the operational tool of the link. Art that over time, through his extraordinary power of communication and interrelation, was and is a carrier of cultural and social transformations.

The modern traveler, less romantic and passionate and often devoid of dreams, he finds himself at odds on predetermined paths escaping emotional action of a sudden the place, away from himself.
[Ri] bring to life, even for a few moments, the intimate and collective experience, rich in emotions and relationships is the standard we propose.
The stage becomes a destination or a symbol of remembrance. A meeting.

The workshop will include sharing of different shapes: architects, landscape architects, sociologists, sculptors, photographers and engineers (students and professionals).
The interplay of these different experiences flows in a coordinated synthesis that interpret the requirements set out and create a specific link through work on a 1:1 scale with the landscape in which dips.

-action project in which the practice come into play constructive knowledge of the Cilento area, and a tangle of keys: ecological, environmental, sustainable, recyclable, (not) in volume.

PROGRAM

will be identified a number of areas in which they will select 4-5 correspond to different themes on which to design and carry out works on a 1:1 scale.

The works to be carried out, temporary o rimovibili, si sintetizzano nelle seguenti categorie:

 arredo urbano
 allestimento del verde
 recinzioni

Esempi concreti di queste categorie sono:

 pensiline
 insegne
 oggetti decorativi artistici
 getta carta
 reggi bici
 pergolati
 gazebo
 sedute e tavoli (aree sosta – picnic)

DURATA

L'evento si svolgerà dal 5 al 13 agosto 2010. Il 14 agosto è prevista una mostra finale con la presentazione dei lavori.

ORGANIZZAZIONE E COSTI

Verranno costituiti 4-5 gruppi di lavoro, every one of them will be assigned an area on which to operate. The groups will consist of a variable number of people, the number of participants will not exceed 30 people. Each group will be composed of several techniques which refer to figures 1 or 2 coordinators group.

In the first 2 or 3 days are expected to study and project work. The remains of days will be devoted to the implementation of the proposed works which will conclude with an exhibition and event finals.

With regard to material resources for the realization of the works you refer to waste materials found or recycled on site.
All living expenses and accommodation for participants (non-residents) are paid by the organization workshop.

The project implementation will lead to an enhancement of the landscape, making new municipal services to the community which is the main target of the proposals. To this end, it requires a financial contribution by the local governments concerned. This contribution will be entirely committed to the development cost without profit.